Tasty Baby Belly Buttons

Author: Judy Sierra
Illustrated by: Meilo So
Hardcover: 40 page(s)
Age Range: 4 - 8

Book Description:

According to legend, Japanese villagers once lived in fear of great hulking ogres called Onis who considered babies'' belly buttons the tastiest of all treats. When they raided a village it was the babies they stole. In a delightful retelling of the folktale, Judy Sierra has added a feminist twist in the person of a fearless young heroine, determined to stop them. Little Urikohme, or Melon Princess, was born inside a watermelon and has no bellybutton. She travels to the Onis'' fortress island, and with the help of some animal friends, rescues the babies, leaving the Onis crying for mercy. A wonderful short tale to read aloud, children will gleefully join in the Onis'' chant and cheer at the triumph of small over large. In cleverly inspired watercolors, Meilo So outfits the Melon Princess in a watermelon-designed kimono and her humorous depiction of the oversized bullies is sure to elicit giggles. An author''s note discusses the origin of the tale and its place in Japanese folklore.

Publishers Weekly
Despite the implications of its title, Sierra's retelling of a Japanese fairy tale is full of sweetness, and stars an engaging, pint-size heroine. Uriko, born from the middle of a watermelon, has no belly button. Found by a couple who become her adoptive parents, Uriko learns how to cook millet dumplings from her mother, and her father teaches her how to wield a sword. Both skills come in handy when the town is raided by oni, the red- and green-faced giant ogres who kidnap babies in order to feast on their tasty navels. Brave Uriko comes to the infants' rescue with the help of her dog, a monkey and a pheasant she meets along the way. So's (The Beauty of the Beast) irresistible watercolors effectively combine traditional elements of Japanese paintings, such as apple blossoms and verdant landscapes, with modern girl-power. The drawings are delicate yet contain plenty of boisterous, even slapstick action. Sierra (Antarctic Antics) liberally sprinkles the narrative with Japanese wordsAthe oni tromp into town, zushin zushin, and the babies cry, boro boro. Both art and text contain just enough mirth to leaven the scariness of the monsters; when Uriko and her friends fight the oni, the scene seems more comic than violent (e.g., the oni attempt to hit the pheasant as it flies around them and knock each other out instead). In the end, it is the oni who sob, boro boro. Distinctive cultural details coupled with a universal story line make this a solid read-aloud choice.